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Balances (​Ε​ξ​ι​σ​ο​ρ​ρ​ο​π​ι​σ​τ​έ​ς​)

by Lena Platonos

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A person’s deep lament expressed with agony in petitions on the corridors of Ministries competes with the natural wisdom of a cat who, while playing on the street, suddenly stops at a corner she knew way before she was born where there’s food for a moment you exchange glances bright clouds the drops of blood give no specific answer so many schools... so many kinds of typography... so many Olympic Games... so many Olympic Games... and the race is still on always a cat hidden behind the turn ...urn ...urn
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You are the reflection on the wave bright connecting ray of alabaster newlyweds Chinese leaves in a showcase night-time walk with walkman divine touch of mother of pearl insight of gypsy pirates
4.
What seductive temperature and in the dense streets and in lonely rooms while televisions announce new programs and children buy new notebooks they smell them with eyes closed they meet up later at the bus stop and tell stories of an experience near the sea that’s when people may become couples and on their faces a secret smile may blossom that promises a different sort of touch in September
5.
Now, while you wait for your love I’ll bring down the remaining stars and admonish them for the trouble they caused in late summer. I gaze secretly at their silver shine and blow the essence of jasmine blossom at your doorbell. You turn on the hot water frowning, you jump in the shower and the entire planet waits, waits, in a familiar rhythm, Eros’ famous rhythm.
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Imitation of a temple of Ionian rhythm in the dimensions of a human body amidst the lush rainy vegetation of a Bavarian palace garden the temple is hermetically sealed like the softest part of a psyche sanctuary or Achilles heel but, besides the inflated surplus, also seductive is the fact that the external vegetation has found a way to seep through the marble and to blossom no one has examined this sanctuary except possibly as a sort of museum and you, its lonesome its itinerant monk, inhabit it when from some distance you gaze steadily at its convergence with the vital space then you sense there is no inorganic matter even this surplus frozen in this icy lake continues exuberantly to praise immortality while a child on a scooter slides on the ice
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Slender marble Muses bolster a roof while black and white floor tiles mirror the speed of clouds and the density of light that permeates them blindingly configurations of light masses and cracks in the celestial blue on a wet mirror in a cold atmosphere with a warm red hat
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While the room temperature is stable my temperature goes in and out of the rooms I tried ash and pomegranate color and even though these coexist in my theoretical thermometer I prefer the pomegranate temperature which may not be quite reliable but its smile is the point of departure of roles that lead upwards and this is how gardens are actualized in the afternoon the afternoon the noise of machines in the boulevard and the light projectors of advertisements in the afternoon? at night they will certainly light up in that feline part of her mind right when she tends to it with henna they’ll slip through the skylight and hang themselves over the glass of her sink the skylight will never become hers but the wash basin glass was hers always yet for that reason she does not know it hello Do... hello Do... rom Channel 4 I say hello ...talk later
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A little bottle of clay has a label that describes perfumes from plants of Greece Rosalia you open it and smell a scent of fine soap that simplifies and clarifies God and the forsaken it neither separates nor binds them together it is the perfume of a primal biological convergence you dip your finger and then caress the part of the body you love most a biochemical method for the isolation of essences inside bodily cells or whole organisms Rosalia overflows with Rosalia you isolate the essence of life for a short while...
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This is a chair – it is a window ... a blackboard ... a student ... it is a map ... a female student ... teacher ... male student ... female student ... chalk... notebook ... blackboard ... pen ... book ... lamp ... table? yes, table... blackboard? yes, blackboard ... map? yes, map ... notebook? yes, notebook... blackboard? yes, blackboard ... student? yes, student ... pen? no, not pen ... map? ... no ... notebook? no ... student? no ... what is he? a student ... what does a student do? he reads ... how does he read? the student reads quickly ... Peace Friendship Moscow ...
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I want to describe a space, for a moment I thought of calling it a retreat it certainly isn’t a cemetery it is a space of successive ridges of wild mountaintops that every so often favor a stone plateau and something immortal a surprise provoked by a high voltage tower but of infinitesimal duration because the landscape has assimilative sweeping power perhaps the power of the desert the lack of breath so, perhaps as a reaction to this space, people named this plant “Immortal” for what is immortal is slender and is not swept by natural violence a plant whose tiny flowers are aesthetic acrobats on hard seed ornaments so it welcomes the night with indifference the night there falls suddenly without sunset the day too the only sound is an echo of the occasional herd that strays because of some attraction... anyway... but the herdsman makes a sign and calls it back and the space returns to what it was, and I who know this know it only as a predatory bird but I too fly over it swiftly because, what am I doing here where even if I cry my voice will not be heard? except that I know – how? from whom? – that only its echo will be heard after my passage through.
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about

Greek electronic music legend Lena Platonos returns with an LP of previously unreleased material recorded between 1982-1985. She is renowned for her forays into cutting-edge electronic experimentation as well as her striking, impressionistic poetry and lyrics, always recited in Greek.
The twelve tracks on Balancers reveal a murkier side of Lena, one draped in tenebrous washes and oneiric utterances. Ragged analog rhythms feature on several tracks, even breaking into a brooding electro groove on “A Cat in the Corner”, but the predominant tone is sparse and somber. Mournful instrumental “Phaethon” swells to mythological proportions, while “In September” feels small enough to fit in your pocket. Lena’s poetry sits amidst lush pads and Radiophonic Workshop-esque squiggles, her voice setting an intimate tone in the shifting electronic sea. Inspiration is drawn from Greek mythology and architecture, and lyrics evoke a soft sorrow, an ambivalence towards love, life, and the passage of time. Although the material here spans 3 years and features a range of recording fidelities and synthesis techniques, the collection possesses the heft of a singular artist’s vision.
Balancers was remastered by George Horn at Fantasy Studios. Eloise Leigh designed the sleeve, which features a doubled Lena in washed-out burgundy hues, channeling the femininity and mystery of the album. Also included is an insert with lyrics in both Greek and English.

credits

released November 9, 2021

ALL SONGS WRITTEN, COMPOSED, ARRANGED AND PERFORMED BY LENA PLATONOS.
“FRIDAY, 9-9-1983” WRITTEN AND PERFORMED BY LENA PLATONOS AND GIANNIS PALAMIDAS.
PRODUCED AND RECORDED BY LENA PLATONOS, 1982-1985.
ALL SONGS PREVIOUSLY UNRELEASED

TAPE TRANSFER BY JOE TARANTINO
REMASTERED BY GEORGE HORN AT FANTASY STUDIOS, BERKELEY 2021
DESIGNED BY ELOISE LEIGH
COVER PHOTOGRAPH BY LENA’S COUSIN
ENGLISH TRANSLATIONS BY STATHIS GOURGOURIS

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Lena Platonos Greece

Pianist, composer, and vocalist Lena Platonos is a pioneer of the Greek electronic music scene, with over a dozen albums dating back to the early '80s. She was responsible for some of the first Greek pop recordings to primarily utilize synthesizers, and her otherworldly songs combined minimalist electronic soundscapes with surrealist lyrics about relationships, dreams and societies of the future. ... more

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